This is an insightful study of spatial planning and housing strategy in London, focusing on the period 2000 - 2008 and the Mayoralty of Ken Livingstone. Duncan Bowie presents a detailed analysis of the development of Livingstonea (TM)s policies and their consequences.
Examining the theory and practice of spatial planning at a metropolitan level, Bowie examines the relationships between:
It places Livingstonea (TM)s Mayoralty within its historical context and looks forward to the different challenges faced by Livingstonea (TM)s successors in a radically changed political and economic climate.
Clear and engaging, this critical analysis provides a valuable resource for academics and their students as well as planning, housing and development professionals. It is essential reading for anyone interested in politics and social change in a leading a world citya (TM) and provides a base for parallel studies of other major metropolitan regions.
The Rue du Tourniquet-Saint-Jean, formerly one of the darkest and most tortuous of the streets about the Hotel de Ville, zigzagged round the little gardens of the Paris Prefecture, and ended at the Rue Martroi, exactly at the angle of an old wall now pulled down. Here stood the turnstile to which the street owed its name; it was not removed till 1823, when the Municipality built a ballroom on the garden plot adjoining the Hotel de Ville, for the fete given in honor of the Duc d'Angouleme on his return from Spain. The widest part of the Rue du Tourniquet was the end opening into the Rue de la Tixeranderie, and even there it was less than six feet across. Hence in rainy weather the gutter water was soon deep at the foot of the old houses, sweeping down with it the dust and refuse deposited at the corner-stones by the residents. As the dust-carts could not pass through, the inhabitants trusted to storms to wash their always miry alley; for how could it be clean? When the summer sun shed its perpendicular rays on Paris like a sheet of gold, but as piercing as the point of a sword, it lighted up the blackness of this street for a few minutes without drying the permanent damp that rose from the ground-floor to the first story of these dark and silent tenements. The residents, who lighted their lamps at five o'clock in the month of June, in winter never put them out. To this day the enterprising wayfarer who should approach the Marais along the quays, past the end of the Rue du Chaume, the Rues de l'Homme Arme, des Billettes, and des Deux-Portes, all leading to the Rue du Tourniquet, might think he had passed through cellars all the way.
Young Gabe's is a story of heartache and jubilation. He's a child slave freed after the Civil War. He sets off to reunite himself with his mother who was sold before the war's end. "Come morning, the folks take to the road again, singing songs, telling stories, and dream-talking of the lives they're gonna live in freedom. And I follow, keeping my eyes open for my mama. Days pass into weeks, and one gray evening as Mr. Dark laid down his coat, I see a woman with a yellow scarf 'round her neck as bright as a star. I run up to grab her hand, saying, Mama?" Gabe's odyssey in search of his mother has an epic American quality, and Keith Shepherd's illustrationsinfluenced deeply by the narrative work of Thomas Hart Bentonfervently portray the struggle in Gabe's heroic quest.
Selected as a 2012 Skipping Stones Honor Book and for the 2012 IRA Teacher's Choices Reading List.
A. LaFaye hopes Walking Home to Rosie Lee will honor all those African American families who struggled to reunite at the end of the Civil War and will pay her respects to those who banded together through the long struggle for freedom. She is the author of the Scott O'Dell Award-winning novel Worth and lives in Tennessee with her daughter Adia.
Keith Shepherd is a painter, graphic designer, and educator working out of Kansas City, MO. His painting "Sunday Best" is part of the Negro Leagues Baseball Museum's permanent collection. He describes his work as being "motivated by family, religion, history, and music."
This story is of a time beyond the memory of man, before the beginning of history, a time when one might have walked dryshod from France (as we call it now) to England, and when a broad and sluggish Thames flowed through its marshes to meet its father Rhine, flowing through a wide and level country that is under water in these latter days, and which we know by the name of the North Sea. In that remote age the valley which runs along the foot of the Downs did not exist, and the south of Surrey was a range of hills, fir-clad on the middle slopes, and snow-capped for the better part of the year. The cores of its summits still remain as Leith Hill, and Pitch Hill, and Hindhead. On the lower slopes of the range, below the grassy spaces where the wild horses grazed, were forests of yew and sweet-chestnut and elm, and the thickets and dark places hid the grizzly bear and the hyaena, and the grey apes clambered through the branches. And still lower amidst the woodland and marsh and open grass along the Wey did this little drama play itself out to the end that I have to tell. Fifty thousand years ago it was, fifty thousand years-if the reckoning of geologists is correct."
The Sails Take-Home Library features two sets of stimulating texts to support take-home reading programs. The books are filled with amusing characters, humorous situations and colourful pictures, to engage students and encourage them to read outside the classroom. The inclusion of Parent Notes in each book enables parents to play an integral part in strengthening their child's reading skills.
The Sails Take-Home Library features an exciting mix of titles in both Set A and Set B. Covering a variety of genres and styles, the vibrant mix of fiction and non-fiction titles will engage every student.
This reader is classified as Reading Level 3 / Fountas and Pinnell Level C. Visit our Levelled readers page for further information on reading levels.
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